"Imitating one of his own in an intimidating voice, he warned that there was a monster in a swamp nearby. With childlike fear in his eyes, Anderson reported that he avoided that area 'until I got a little older and a little smarter and a little brother.' Pivoting to the future in an instant, he adopted the older brother voice, pointing to the swamp and telling his sibling: 'That’s where your real parents live.'"
From "Louie Anderson and the Compassion of America’s Eternal Kid/He displayed an empathetic humanity that he shared offstage with his friend Bob Saget. The loss of both comics represents the end of an era" by Jason Zinoman (NYT).
When you think of the 1980s comedy boom, the first artist that comes to mind for many is Jerry Seinfeld and his clinically observational brand of humor. For others, it might be the rock-star flamboyance of Eddie Murphy or Andrew Dice Clay. But in the days of three major networks, the culture incentivized a warmly inclusive, rigorously relatable comedy that could appeal to a broad mainstream and, at its best and most resonant, had an empathetic humanity.
The outpouring of love for Bob Saget... was in part... because of a vast audience that saw him as the friendly paternal face on “Full House” and “America’s Funniest Home Videos.”... Anderson fit seamlessly into an equally idealized role as our culture’s eternal kid. There was a boyish innocence and sweetness to Anderson that never left him, even when he was playing a mother on “Baskets,” a remarkable and sincere performance....
I haven't kept up with network sitcoms, so "Baskets" was news to me. I enjoyed this, showing clips from the show, him getting made up as Christine Baskets, and his very sweet account of how he's bringing his own mother back to life:
And here are Saget and Anderson in a podcast conversation (recorded last May).
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